Now, at the corner of the black wall painting we hang up the several picture frame there. This is also one of the way to make your living room didn’t felt bore. For the sofa furniture, we do the same color as like the floor. But for the sofa we use the creamy pastel color more bright than the floor. We choose the arm sofa with the unfussy style decoration on it. Remember for the cushion, that we apply the flower black motive. It would give another decoration to your minimalist living room. In the middle of the sofa furniture, we lay down the fur rug there with the young bright orange color. How beautiful look in your living room with the black motive.
Because we use the black color as the basic and we have the bright one color to make your room more alive. At the living room we always give the ventilation or the window there. This window are big enough almost from the ground and same like the tall adults men. We didn’t do anything to this window, so it may look so flat window. But it the best, because we have the black color. It enough to cover up all the extensive decorative. We also apply the black color to the sofa furniture, especially to the cushion. We do the cushion with the flower motive to make your sofa didn’t bore. So, we could say that the wide space living room with the black motive.
Using the black color to pair it with the other color are always make the nice viewing, because the black and white color are the basic color from all of the color. We would talked about the floor and the wall first. Here we use the opposite color each other. Look, we using the pure black color for the wall painting and the creamy pastel color for the floor. The tile marmer could we use to the floor, it would make your living room looks clean and bright.
Before proceeding too much farther into the remaining steps, it’s first necessary to confirm that the material in question is actually a solid piece of wood, and not a man-made composite or piece of plastic made to imitate wood. Can you see the end-grain? Manufactured wood such as MDF, OSB, and particleboard all have a distinct look that is—in nearly all cases—easily distinguishable from the endgrain of real wood. Look for growth rings—formed by the yearly growth of a tree—which will be a dead-giveaway that the wood sample in question is a solid, genuine chunk of wood taken from a tree. Is it veneered? If you see a large panel that has a repeating grain pattern, it may be a veneer. In such cases, a very thin layer of real wood is peeled from a tree and attached to a substrate; sometimes the veneer can be one continuous repeating piece because it is rotary-sliced to shave off the veneer layer as the tree trunk is spun by machines.
If there is even a chance that the color isn’t natural, the odds are increased that the entire effort of identifying the wood will be in vain. Many woods, when left outside in the elements, tend to turn a bland gray color. Also, even interior wood also takes on a patina as it ages: some woods get darker, or redder, and some even get lighter or lose their color; but for the most part, wood tends to darken with age. The most predictable baseline to use when identifying wood is in a freshly sanded state. This eliminates the chances of a stain or natural aging skewing the color diagnosis of the wood. Most softwoods will be almost perfectly smooth with no grain indentations, while many common hardwoods have an open pore structure, such as Oak or Mahogany; though there are some hardwoods that are also smooth to the touch, such as Maple. By observing the grain patterns, many times you can tell how the board was cut from the tree. Some wood species have dramatically different grain patterns from plainsawn to quartersawn surfaces. For instance, on their quartersawn surfaces, Lacewood has large lace patterns, Oak has flecks, and Maple has the characteristic “butcher block” appearance. Some species of wood have figure that is much more common than in other species: for example, curly figure is fairly common in Soft Maple, and the curls are usually well-pronounced and close together. Yet when Birch or Cherry has a curly grain, it is more often much less pronounced, and the curls are spaced farther apart.
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