The preference of choosing the white on the ceiling, the wall,on the armless chairs, the window and its curtain is not only to balance the two strong colors but also to strengthen the dark color in the stimulating red and black living room ideas. You can notice that the sofa, the floor, and the opened bookcase are in the same area with the same dark color. It looks so dark as if you are blind. The armless chairs between them enlight the black and make it stronger without overwhelming. The accessories and collections color displayed in the large open bookcase work together with the basic black color. Most of the collections color is brighter than the bookcase color. The contrasting colors also became an accents mixing with the bold color in the living area.
Decorating the living room with the red and black is perfect to the dynamic attractive modern people. Both of the color has the very strong and bold statement to the room painted with them. It’s never been so harder to apply the red and black in the burning red and black living room ideas, if you have no idea the key to make the very strong color united. One of the tricks you might be interesting to be done is give them the neutral color tone to balance them. In the picture you can find the existence of the white ceiling and window to harmonize the red and black so that they are not going to be overwhelming. The other way is to pick only one color as a dominant color. The black color is chosen as the major color of the fantastic red and black living room ideas. The contemporary red and a little bit black accent, armless chair, and the area rug are the furnitures painted with the red. Sectional sofa has ready to give much more warmness ambiance into the living room. The other furnitures are black included the floor, the large open shelves, and the television as well . One of the wall side is also covered by black color.
Before proceeding too much farther into the remaining steps, it’s first necessary to confirm that the material in question is actually a solid piece of wood, and not a man-made composite or piece of plastic made to imitate wood. Can you see the end-grain? Manufactured wood such as MDF, OSB, and particleboard all have a distinct look that is—in nearly all cases—easily distinguishable from the endgrain of real wood. Look for growth rings—formed by the yearly growth of a tree—which will be a dead-giveaway that the wood sample in question is a solid, genuine chunk of wood taken from a tree. Is it veneered? If you see a large panel that has a repeating grain pattern, it may be a veneer. In such cases, a very thin layer of real wood is peeled from a tree and attached to a substrate; sometimes the veneer can be one continuous repeating piece because it is rotary-sliced to shave off the veneer layer as the tree trunk is spun by machines.
If there is even a chance that the color isn’t natural, the odds are increased that the entire effort of identifying the wood will be in vain. Many woods, when left outside in the elements, tend to turn a bland gray color. Also, even interior wood also takes on a patina as it ages: some woods get darker, or redder, and some even get lighter or lose their color; but for the most part, wood tends to darken with age. The most predictable baseline to use when identifying wood is in a freshly sanded state. This eliminates the chances of a stain or natural aging skewing the color diagnosis of the wood. Most softwoods will be almost perfectly smooth with no grain indentations, while many common hardwoods have an open pore structure, such as Oak or Mahogany; though there are some hardwoods that are also smooth to the touch, such as Maple. By observing the grain patterns, many times you can tell how the board was cut from the tree. Some wood species have dramatically different grain patterns from plainsawn to quartersawn surfaces. For instance, on their quartersawn surfaces, Lacewood has large lace patterns, Oak has flecks, and Maple has the characteristic “butcher block” appearance. Some species of wood have figure that is much more common than in other species: for example, curly figure is fairly common in Soft Maple, and the curls are usually well-pronounced and close together. Yet when Birch or Cherry has a curly grain, it is more often much less pronounced, and the curls are spaced farther apart.
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